The answer is simple: I may be sick of the debate, but that's just me. As the war in Iraq drags on (dragging bloodied Iraqi corpse upon bloodied Iraqi corpse with it) and discontent and disillusionment with this whole socio-political-economic system increases, more people are getting involved in the fight against capitalism and its machines of war (both the armies abroad and the police at home). For many, when they start going to protests and demonstrations, they have at best mixed feelings about things like property destruction, violently resisting the police, or even just marching in the street without a permit. And some apprehension about these tactics is completely understandable. After all, everything in this system is designed to teach us that property (or perhaps more accurately, corporate property) is sacred, that police should always be obeyed (or else) and that breaking the law, even small laws, is morally and ethically wrong and can never be justifiable.

And so, this is a call for articles, stories, art, or anything else about the tactic of property destruction and its merits for a zine that seeks to give those on the fence about this issue a gentle nudge (and maybe convince them to rip down the fence!). Since this is meant to be a zine for people new to social movements, I respectfully ask that the tone of the articles keep that in mind when choosing their words. To put it plainly, please no anti-liberal rants--they piss me off too, but this is supposed to be the case for property destruction, not the case against liberals (maybe next time!).

When I say articles, I mean previously published or unpublished articles arguing for the validity or effectiveness of property destruction. It doesn't even have to be something you wrote. If there's an article that you think is really great and think that it should be included, tell me about it (things like, where I can find it, who wrote it, and how I can get ahold of them). There's two kinds of stories that would be really great to have for this zine: personal accounts and "historical" accounts. Personal accounts would be something talking about witnessing or even committing an act of property destruction, how it made you feel, what impact it had, etc. Obviously this is very sensitive, so trying to be relatively vague is best (and also see the next paragraph for the best way to submit things like that). A "historical" account would be more of a general story (preferably contemporary) of how property destruction put pressure on an institution to win a concrete goal. Art would be anything that would be an image. A cartoon, a cool drawing, whatever.

If you have anything to contribute, please send an email to  tacticaldiversity@gmail.com. I may want to edit some of your submission for various reasons (most likely space). Any edits or cuts will be run by you first. If for some reason you can't or don't want to submit something online, send an email and we can discuss other methods of submission. As was said above, sending personal accounts about property destruction over email is not necessarily a good idea. In fact, for both our sakes, it's a bad idea. Any personal accounts should be submitted will an anonymous email service like www.willselfdestruct.com (be sure to make it at least 1 view). If you want me to respond somehow, you can leave an email address in the willselfdestruct message and I can respond in kind. If you don't leave a way to respond to you, I may make edits without running them by you first. Also, a major goal is to make sure that every piece published is published with the creator's permission. This zine isn't going to be sold anywhere and will be distributed for free, but I still don't want to use other people's stuff in this zine without their express permission. So yeah, don't submit other people's work acting like it's your's and get people pissed at me. If you run an infoshop or any other radical space that could distribute this zine upon completion and are interested in receiving copies, drop a line and you'll be kept in the loop when it comes time to publish.

In love and rage,
Casey Ford